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Learning resources that are NOT part of howto or guide content. For instance this might be stuff that's of generally useful nature, whereas 'howto' is more specific.

Syllabus for Prof. Howard Besser's "Free Culture & Open Access" course at NYU.

QCO Education icon.Professor Howard Besser of New York University is offering a course at the Tisch School of Arts this Spring entitled Free Culture & Open Access, and he's released the syllabus online.  It's such a good list of introductory sources (and speakers) on the free culture movement that we wanted to point to it from here:

besser.tsoa.nyu.edu/howard/Classes/14free-culture-syllabus.pdf

Several QCO articles, and the work of our Artist-in-Residence Nina Paley, are listed in the syllabus.  Also very nice to see is the trouble Prof. Besser took toward the end of the syllabus to define plagiarism accurately and not confuse it with mere unauthorized copying (simply put: copying a song is not the same as claiming you wrote it!).  As we wrote back in 2007, this is not something NYU has always been clear on, though to be fair, the current Tisch School of the Arts Academic Integrity Policy seems to have thought about it more carefully.

We asked Prof. Besser "Will you be suggesting to the students that they release their own papers for the course under non-restrictive licenses?" and got a delightful answer:

Since 1994 I've been asking my students to make all their work for my classes publicly available
   http://besser.tsoa.nyu.edu/impact/ (choose "Student Papers")
   http://www.nyu.edu/tisch/preservation/studentwork.shtml
We are now transitioning into explicit CC licenses.

It appears the students are in good hands!  Best of luck to Prof. Besser and the class.

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"Creatorism" and the Rise of Speculative Invoicing.

Portrait of Dirk Lasater

While most of our work at QuestionCopyright.org addresses artists and audiences, we're also always on the lookout for good pieces intended for the legal and policy research communities. When lawyer Dirk Lasater asked if we'd be interested in publishing these excerpts from his article “Closing Pandora’s Box: Speculative Invoicing and Opportunism in File Sharing”, we jumped at the chance.

What Lasater describes below is moral hazard: the inevitable abuse of a system that is optimized for large-scale, monopolistic, predatory behavior. Of course, he is more circumspect in his language, as befits someone writing for a legal journal — but read the excerpts yourself and see if you can come to any other conclusion.

In his full journal article there is also a Proposed Remedies section, with some suggestions that ought to be uncontroversial: an amendment to the DMCA requiring a "statement that the complaining party has examined the purported infringement and believes in good faith that there is no potential fair use or exempt use, as defined by this Act, of the alleged infringer", and, even more importantly, this amendment:

Unless otherwise provided, any person who threatens a lawsuit by mail, electronically, or in person; or any person who issues requests for pretrial settlement of infringement claims after obtaining a subpoena under this section and who knows, or should have known, that the alleged settlement was based on false statements or misrepresentations, including material omissions, shall be liable for any damages, including costs and attorneys’ fees incurred by the alleged infringer, and any damages including costs and attorneys’ fees of any service provider who is injured by such conduct as the result of the service provider relying upon such subpoena in removing or disabling access to the material or activity claimed to be infringing, or in disclosing the identity and private information of the alleged infringer. Treble damages shall be available in cases of willful or wanton disregard by the party obtaining the subpoena.

The idea that those who commit copyfraud should have to pay for the inconvenience they cause others is not new. What is new is the careful drafting Lasater brings to the proposed solution. He's not just saying it would be a good idea to amend the law so there are penalties for copyfraud — many people say that. But Lasater actually drafts the amendment, and backs it up with the kind of legal analysis and history that one wishes went into all legislation.

Biography: Dirk Lasater is a practicing lawyer in Winston-Salem, NC with an interest in intellectual property issues. He is currently working in a temporary capacity as he looks for a permanent legal position in some area of commercial transactional or intellectual property law. Dirk received his bachelor’s degree in the Classics from the University of Florida and earned his Juris Doctor from the Wake Forest University School of Law in 2011. From 2010-2011, Dirk served as the Editor-in-Chief of the Wake Forest Journal of Business and Intellectual Property Law. He has published various blogs on copyright law and has also authored two academic articles, one of which focuses on the competing concurrent use of virtual trademarks on the internet, and the other on the practice of speculative invoicing, portions of which are reprinted on Questioncopyright.org. While in law school, Dirk interned at Novant Health, Inc., a regional health care system, and also volunteered for two years as the Assistant Director of the Wake Forest Innocence Project where he worked on actual innocence claims and reintegration of recently released prisoners.

These excerpts are part of a larger article, “Closing Pandora’s Box: Speculative Invoicing and Opportunism in File Sharing” from the Fall Issue, Volume 12-1, of the Wake Forest Journal of Business & Intellectual Property Law. The author and Question Copyright thank the Wake Forest Journal of Business and Intellectual Property Law for allowing these portions to be published here under a Creative Commons Attribution license.

Author's Introduction

The Pandora’s box of file sharing as it currently exists has found renewed presence in public consciousness over the course of the last five to ten years. While dormant through much of the late 2000s, the government and content owners have begun a full court press aimed at preventing the free sharing of movies and music on the internet. The most recent action against Rapidshare and the grass roots rejection of SOPA and PIPA have brought internet related issues back into vogue, and have directed attention to the speculative invoicing approach to copyright enforcement used quietly and persistently over the last five to ten years. Following Napster’s demise, internet technology has continued to advance, with file sharing use skyrocketing and enforcement regimes struggling to keep pace.i Historically, as content owners and the RIAA searched for ways to close Pandora’s box, they targeted file sharing websites such as Napster, Grokster, and Limewire, and, in tandem, sued individual end users.ii While the content industry has had some success on both of these fronts,iii resolution of the larger problem has not been realized, Pandora’s ‘evils’ are out of the box, and all efforts are beginning to look like a seemingly futile attempt to prevent online file sharing.iv

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