events

Events that we have organized and/or are taking part in.

Fourth RE/Mixed Media Festival in NYC -- April 26-27 at the New School.

RE/Mixed Media Festival logo.

We've been fans of what the RE/Mixed Media Festival is up to ever since we first heard about it in 2010.  Now they're in their fourth year!  The next one will take place at the New School in New York City, the weekend of April 26-27.  They've kindly offered our readers a registration discount, too -- use the promotional code "QUESTION" to get 50% off.

In their own words:

RE/Mixed Media Festival, taking place on April 26-27 at The New School and CultureHub, is an annual celebration of collaborative art-making and creative appropriation. It's the artists' contribution to the ongoing conversation about remixing, mashups, copyright law, fair use, and the freedom of artists to access their culture in order to build upon it. Each year, the festival features performances, panel discussions, workshops, electronic remixing/hacking, sampling, film & video, fashion, DJs, technology, interactive installations, painting, sculpture, software, and much more.

Now in it's fourth year, RE/Mixed Media Festival is a hybrid event - a marriage of art exhibition and critical academic conference, a forum where artists, activists, scholars, musicians, writers, entertainment professionals, and policymakers come together to collectively re-examine the role of creative appropriation in the arts, and the roles of artists, government and industry in creating and maintaining a free and open culture.

RE/Mixed Media Festival IV is pleased to welcome media theorist Lev Manovich and author David Shields as keynote speakers, as well as the NY opening of DJ Spooky's international art and design exhibit, The Imaginary App. Other 2014 artists hail from 13 countries, and include 15 students, alumni, and faculty from The New School of Public Engagement's School of Media Studies and Parsons The New School for Design. Past artists and scholars have included Moby, Steinski, Ricky Powell, Ryuichi Sakamoto, Jesper Juul, Nitin Sawhney and over 150 other artists, performers, educators, activists, musicians and DJs.

Details:

   Saturday, April 26
      10 AM – 5 PM: The New School
         Theresa Lang Center and Dorothy Hirshon Suite: 55 W 13 St.
         The Auditorium at 66 W 12 St.
         Anna Maria and Stephen Kellen Auditorium, 66 5th Avenue.
      6 PM – 10 PM: CultureHub, 47 Great Jones Street

   Sunday, April 27
      10 AM – 6 PM: The New School
         Theresa Lang Center and Dorothy Hirshon Suite: 55 W 13 St.

NOTE: Registration and check-in will take place at Theresa Lang Center on both Saturday and Sunday.  See remixnyc.com.

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In Chicago: "Sita Sings the Blues" Screening @ Columbia College (4:30pm, Thu, Feb 6th)

The Women+Film student group at Columbia College in Chicago is presenting QCO Artist-in-Residence Nina Paley's film Sita Sings the Blues this Thursday at 4:30pm -- and Nina will be there for Q&A!  Come see a wonderful film, talk to its director, and get the pre-downloaded DVD in person, straight from the source.

4:30pm, Thursday, 6 February 2014
1104 S. Wabash Ave.
Room 502
(Note: the posters are apparently wrong -- it really is room 502, not 302 as the poster says)

Poster for 2014-02-06 screening of Sita Sings the Blues at Columbia College Chicago.

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Two Moglen events you should hear -- this Wednesday, and next Thursday.

I can't stress this enough — if you're still wondering about the connection between copyright and civil liberties, nothing could make it clearer than Eben Moglen's four-lecture series Snowden and the Future at Columbia Law School in New York City. The fourth lecture is this coming Wednesday, December 4th, at 4:30pm (Eastern US) in Room 101 of Jerome Greene Hall:

If you are in New York City on Wednesday, we strongly recommend going to that fourth and last lecture. Transcripts of the first three are already online (though I found them worth watching on video). Quoting from the third:

privacy is an ecological rather than a transactional substance

Moglen goes on to explain why very eloquently. It is a point of prime concern to copyright resistors: when every email, every post in a social network, every online communication among human beings, is subject to surveillance, then the system will always err in one direction: toward over-enforcement of already overly-strong restrictions. Surveillance naturally serves monopoly: the watcher is centralized, the watched decentralized. Thus, for example, it becomes your problem to fight fraudulent takedowns and other censorship, rather than being the censor's problem to justify the restrictions in the first place.

Thursday, 12 Dec: Eben Moglen and Bruce Schneier:

Then on Thursday the 12th at 6:30pm ET, Prof. Moglen will be talking with the renowned security expert Bruce Schneier about what we can learn from the Edward Snowden documents and from the NSA's efforts to weaken global cryptography, and how we can keep free software tools from being subverted. That event is also at Jerome Greene Hall; see here for details.


There is no freedom of thought without freedom of communication, and ultimately there is no freedom of communication without privacy. Privacy means secrecy, anonymity, and autonomy for individuals freely associating.

Monopoly will never argue for this. People have to do it. Copyright restrictions originated in centralized censorship and are increasingly supported by centralized surveillance. No one is analyzing the larger dynamic of surveillance better than Prof. Moglen. If you're in New York this Wednesday and next Thursday, you know where to go.


(Previous post in this series here.)

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