Some numbers from an on-demand publisher...

The article Publishing Renaissance by Allison Randal, over at the O'Reilly Radar, is a fascinating read. She describes how her press was able to publish its first book — helpfully, she gives actual numbers:

Print-on-demand technology allows individual books to be printed as they're ordered, and shipped directly to the purchaser. The technology has developed to the point that the quality of a print-on-demand book is equal to the quality of a traditional printed book. This style of publishing is cheap. You generally pay a small set up fee, and then have no other expenses until the book actually sells, and then only pay for the printing. (The printing cost is about $1 per copy higher than a traditional printer at high volume, and cheaper than a traditional printer at low volume.) It cost me well under my goal of $1k to produce Gravitas from start to finish. With all this power at their fingertips, publishers could experiment much more freely with low risk.

The "Author-Endorsed" Mark: A Proposal for Informed Sharing

Author-Endorsed Mark

This article is now superseded by The Creator-Endorsed Mark; please see there instead.


Imagine if when you obtained a book (or a song or a movie), you could know whether or not the way you obtained it was explicitly endorsed by its author. Could you use that information to make better choices?

I think so. Here's a scenario: you walk into your local copy shop and ask for a book you saw recommended on someone's blog. Machines to print books on demand are already here (see the Bookmobile, for example), so let's assume that printing up a book at a copy shop is a reasonable thing to do.

Under the current copyright system, the copy shop must have permission from the copyright holder to print the book for you. One way for them to get permission is to work out bulk deals with publishers, so that every time the shop prints a book, a certain percentage goes to the publisher (and then a percentage of that goes to the author). Another possibility is for copy shops to become publishers themselves, bypassing the traditional publishers and working out deals with authors directly.

"The Case for the Death of Copyright" (editorial in the Vancouver Sun by Jacob Tummon)

(Translations: 中文)

Portait of Jacob Tummon

Today the Vancouver Sun published an editorial by Jacob Tummon entitled "The Case for the Death of Copyright". Tummon is already known to readers here for his in-depth piece on copyright at Legaltree.ca. While this editorial is necessarily shorter and less detailed than that earlier piece, it still makes a strong case. Tummon is a law school graduate, and he makes the excellent point that unenforceable laws inevitably lead to disrespect for the law itself: "Canada has experience with laws that engender widespread violation: Consider prohibition in the 1920s. A law violated so brazenly is more than meaningless — it undermines the effectiveness of the legal system generally." Bravo to the Vancouver Sun for giving space to these ideas.

Here's the full editorial, reprinted with Jacob Tummon's permission...

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