Come to our New York City meeting, Monday, Feb. 2

New York, Central Park

We're holding a New York City area informational meeting on Monday. If you'd like to learn more about what we do and how you can get involved, please come!

We'll focus on the Sita Distribution Project, and a couple of other exciting projects that are ready for more hands. Students, we're open to offering credit if we can work it out with your school.


  • When: Monday, 2 February 2009, 6:30pm-8:30pm

  • Where: Software Freedom Law Center, 1995 Broadway, 17th floor (cross street is 68th; take [A,B,C,D,1] to 59th / Columbus Circle, or [1,2,3] to 72nd, or [1] to 66th; see map)

  • What: Learn about current QuestionCopyright.org projects and how you can get involved. Refreshments will be served.

  • Who: Nina Paley (artist in residence), Karl Fogel (editor), you and all your friends who want to do something about precambrian copyright restrictions.


If you know you're coming, please let us know. It's also okay to just show up at 6:30pm. If you'd like to come but that night doesn't work for you, tell us — we'll arrange to meet with you another time.

They can't keep a lid on all of us...

They Can't Keep A Lid On It

The Sita Sings the Blues Distribution Project

(NOTE: If you came here to help support Nina Paley's free distribution of Sita Sings the Blues, please see the donations section below.)

The Sita Distribution Project is a public demonstration of how an artist can flourish — economically and artistically — by letting her works circulate for free.

It's not about self-distribution, it's about audience-distribution: put the work out there, let people share it, give them the freedom to organize activities (both commercial and non-commercial) around it, and the artist will benefit, because audiences want to support artists. Our goal is a comprehensible, repeatable model that can be used by independent artists everywhere.

The test subject is artist Nina Paley (now our Artist-in-Residence), who released her award-winning, feature-length animated film Sita Sings the Blues to the world under a totally free license in early 2009. That's free as in "freedom": anyone can make copies, anyone can sell copies, anyone can hold a screening (for profit or otherwise), anyone can make related merchandise, no one needs to ask permission for anything.

Subtitles provided by audience members from around the world.

You can also watch the entire film on Vimeo, Channel 13, and download it from The Pirate Bay and other peer to peer communities.


The Recipe

This distribution model puts the artist squarely on the audience's side: instead of telling people they shouldn't share, the artist encourages them to share. But the key is to do more than just put the work out there and hope for the best. You have to set up infrastructure that makes the artist the focal point for economic activity around the work — not the exclusive owner of all economic activity, just the focal point. Instead of imposing a monopoly on the work itself (which pits artist against audience), let the work flow freely and take advantage of the one natural monopoly that comes from being the artist: attribution, that is, credit for having made the work. Audiences appreciate proper attribution, and will enforce it, because they want to be on the artist's side. Nina explains this all step by step in her piece, "How To Free Your Work".


The Results So Far

So far, Nina has made more money by this method than any traditional (i.e., exclusive) distributor was offering before the film's release. Since releasing it for free distribution in February of 2009, she's received approximately $28,000 in donations and another $25,000 in sales of DVDs and other film-related merchandise from the online store. (Note that the donations are dedicated to paying back music licensing fees she had to pay to be able to release the film at all; there's more on that here.)  The average donation is a bit over $10 US (but that's not counting the rare outliers, the occasional donations of $500 or $1000 -- if you include those, the average donation is around $30).

Sita Sings the Blues DVD   Sita Sings the Blues DVD (Artist's Edition)   Sita Sings the Blues Ravana T-shirt   Sita Sings the Blues Valmiki T-shirt

Best of all, her income stream is fairly steady. This is the opposite of the traditional "burst and fade" distribution model that so many works endure, dragged out of circulation prematurely to avoid competing with new releases from the same publisher. Because Nina's film is audience-distributed, it's in circulation forever, whenever and wherever people want to see it. And all those audience members are potential customers and donors, as the financial results bear out.

Raw data: While we have to protect the privacy of donors and customers at the online store, we can release summary data and anonymized data. Please see the donations summary, store sales summary, and the store sales details. We're sharing this data in order to give other independent artists some concrete numbers about what a freedom-based distribution model can bring.

Further resources:

Nina Paley's preliminary report from five months after the free release of her film, including the talk she gave at DIY in Philadelphia.

See also The More She Shared, The More She Made by Mike Masnick at TechDirt, for a good writeup of the talk.


Getting Out Of Copyright Jail

Because Sita Sings the Blues uses some music from the 1920s that's still under copyright, Nina Paley had to pay a lot of money — approximately US $50,000.00 plus another $20,000 in transaction costs  —  to get it out of copyright jail (she talks about it in this interview.)

81.2%  

Fund-o-Meter (updated regularly)

QuestionCopyright.org is helping her — and you can help too. We want to see this distribution project succeed, as an example of how letting go of monopoly control can benefit everyone (including the artist), so we're using donations to this project to help pay back that loan, in a fiscal sponsorship arrangement with Nina Paley.

That means you can donate to help with the costs of getting "Sita Sings the Blues" out of copyright jail (see below), and your donation will be 100% tax-deductible in the U.S. to the extent permitted by law.

The response so far has been tremendous, and gratifying to Nina as well. But we've still got a long way to go. If you liked "Sita Sings the Blues", and liked the fact that you can make copies for all your friends, please consider donating.

"Sita Sing The Blues" has a lot of momentum right now. It's been extremely successful at screenings (you can hold a screening too, if you want), and the famous film critic Roger Ebert wrote a rave review of Sita. The time is right to show what happens when a film of that quality is released freely, in such a way that anyone can do any kind of screening anywhere. We're working with Nina Paley to use this as a platform for advocating copyright reform and freedom of information — and the bigger the audience, the more minds we can reach. Please help!

Sita Standing in Copyright Jail Cell

How Copyright Restrictions Suppress Art: An Interview With Nina Paley About "Sita Sings The Blues"

In this November 2008 interview, well-known cartoonist and animator Nina Paley tells how her award-winning, feature-length film Sita Sings The Blues landed in copyright jail. After this interview, Nina joined QuestionCopyright.org as Artist-in-Residence, and is now working on the Minute Memes project as well as on the free distribution model of her film.

(This interview is also available in annotated segments, in case you're looking f'or something specific or are not sure where to start.)

Full Interview

After pouring three years of her life into making the film, and having great success with audiences at festival screenings, she now can't distribute it, because of music licensing issues: the film uses songs recorded in the late 1920's by singer Annette Hanshaw, and although the recordings are out of copyright, the compositions themselves are still restricted. That means if you want to make a film using these songs from the 1920s, you have to pay money — a lot of money (around $50,000.00).

It's a classic example of how today's copyright system suppresses art, effectively forcing artists to make creative choices based on licensing concerns rather than on their artistic vision.

The music in Sita Sings The Blues is integral to the film: entire animation sequences were done around particular songs. As Nina says in the interview, incorporating those particular recordings was part of her inspiration. To tell her — as many people did — to simply use different music would have been like telling her not to do the film at all. And that's part of her point: artists "internalize the permission culture", which in turn affects the kinds of art they make.

Sita Sings The Blues has been nominated for a "One To Watch" Spirit award and won a Gotham "Best Film Not Playing at a Theater Near You" award, as well as "Best American Feature" at the Avignon Film Festival, "Best Feature" at the Annency Animation Festival, and a Special Mention at the Berlinale. Famed film critic Roger Ebert has raved about it. But the film remains undistributable as of this writing; Nina is trying to work out an arrangement with the holders of the monopolies on the music that inspired her. If you'd like to donate to support Nina, you can do so here.

(2009-12-16: she eventually did pay them off, and then released the film under a free license. You can buy a DVD, or download it online. Buying a DVD directly supports Nina, as do donations obviously.)

Thanks to: Nina Paley for interviewing and for editing help; the Software Freedom Law Center for space and for logistical support; Light House Films for camera work, etc.

Interview Highlights (2:15):

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